Client
Parsons-Space
Category
Wire Installation
Start Date
February 1, 2025
End Date
February 17, 2025
Tools
Hand Making&Wire
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Work

Haptic Space-Wire Self Portrait Installation

Haptic Space-Wire Self Portrait Installation

Haptic Space explores the intersection of line, space, and emotion through a three-dimensional self-portrait made entirely of wire. Using different gauges, colors, and bending techniques, I sought to capture the dynamism of facial movement and the fluidity of contour—transforming the immediacy of a drawn line into sculptural form.

Sketch

The project began with a series of sketching exercises—quick, blind, and contour drawings—to study the structure and rhythm of the face. These studies became the foundation for my wire sculpture, where I experimented with how a single line can define not only form but also personality. The transition from paper to metal required learning new forms of control: how to bend, twist, and layer wire while maintaining balance, stability, and proportion.

One of the greatest challenges was translating two overlapping profiles into one unified composition. After several trials, I positioned the two faces at a 45-degree angle, connecting them through their hairlines to create both independence and harmony. This decision allowed the sculpture to shift visually as viewers moved around it—offering multiple perspectives of identity. Another difficulty was the asymmetry of the neck contours, which I initially considered an error but ultimately embraced as a creative distortion that added depth and motion to the piece.

Final Effect

To enrich the narrative, I introduced butterflies—crafted from delicate wire—to orbit around the head. These subtle forms evoke transformation, freedom, and fragility, infusing the work with poetic movement. The installation became less about static representation and more about energy and presence, as if thought and emotion were suspended in midair.

Final Effect

Through Haptic Space, I gained a deeper understanding of how line can exist in space—not merely as a boundary, but as a medium of emotion and rhythm. This project taught me that imperfection and asymmetry can bring life to structure, and that true balance is often found in movement rather than precision.

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