

This project explores the relationship between object, body, and environment through the use of cardboard as a wearable medium. The goal was to rethink how materials and form interact with the human body, transforming a disposable material into an expressive, symbolic garment.


Inspired by traditional Chinese Lion Dance, an intangible cultural heritage that embodies celebration, strength, and cultural identity, I sought to reinterpret the lion’s form and spirit through wearable sculpture. The lion represents flexibility, majesty, and courage—qualities that guided my design process.
The project began with research into the history and symbolism of lion dancing, followed by sketching and experimenting with various cardboard folding and connection techniques. I designed the wearable piece in three main components—the lion head, vest, and pants—each representing movement, rhythm, and protection. These elements merge traditional cultural motifs with modern sustainability, transforming a performance costume into a statement about material reuse and identity.

Working with cardboard challenged me to understand the balance between rigidity and mobility. I explored how folds, cuts, and layered joints could create structure while allowing flexibility for body movement. Throughout the making process, I developed a deeper appreciation for how wearable art functions as both sculpture and performance, reshaping how we perceive the boundaries between fashion, design, and culture.
This project became a dialogue between heritage and innovation—between cultural symbolism and contemporary practice. It reminded me that design is not only about form or material, but also about storytelling, movement, and human connection.

In Class Present (Video)